Ever met any importing and transferring problems while you are trying to edit Casio Exilim QV-R300 AVI footage in Avid MC, FCP, Premiere? This tutorial will teach you how to make Casio Exilim QV-R300 AVI footage editable in Avid MC, FCP, Premiere with help of the best AVI HD Video Converter for Mac.

avi Edit Casio Exilim QV R300 AVI Footage in Avid MC, FCP, Premiere

Although Avid MC official website announced that Avid MC can support and edit AVI footage smoothly, a lot of users still met the importing and editing problem while trying to load AVI footage to Avid MC. “Pretty much anyone have any suggestions on how I might be able to edit Casio Exilim QV-R300 AVI files in Avid MC? Once the AVI footage is imported and dragged to the source monitor it cannot be view only white display is visible. Grateful if someone could help to overcome this problem.”

And for FCP, there are some instances. However, that importing Casio Exilim QV-R300 AVI footage into Final Cut Pro doesn’t go successfully. In fact, Final Cut Pro only reads AVI that both the audio and the video were compressed by using a codec that FCP can recognize. If your AVI video files are not imported, it’s because of the codec used to create the AVI file is not supported by Final Cut Pro.

Actually, Premiere has the ability to support AVI format. However, AVI is container file format rather than a specific audio, video, or image data format. “I can’t edit Casio Exilim QV-R300 AVI footage in Premiere. When I try to import, it says there’s a file issue and won’t import. Are these files I need to convert to a different format or do I need to add a specific codec to the new machine?”

The reason you cannot ingest and open Casio Exilim QV-R300 AVI files in Avid MC, FCP, Premiere is simple: file format, but unlike other formats like MP3 or JPEG, AVI is a container format, meaning it can contain video audio compressed using many different combinations of codecs. Some codecs are not compatible with Avid MC, FCP or Premiere, so you will encounter problems when importing and editing Casio Exilim QV-R300 AVI footage.

Then, how do we edit Casio Exilim QV-R300 AVI footage in Avid MC, FCP, Premiere? If you do more research, you will need to find a third party program to do the conversion. To get the work done, Pavtube HD Video Converter for Macis a professional tool that can deal with most kind of AVI footage regardless of the different codec to Avid MC, FCP, Premiere supported format respectively without quality loss.

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Steps on how to edit Casio Exilim QV-R300 AVI footage in Avid MC, FCP, Premiere:

Step 1: Launch the Casio Exilim QV-R300 AVI HD Video Converter on your Mac, and then click the “Add video” button to import your AVI footage from Casio Exilim QV-R300 directly. In order to import several files at one time, you can click “Add from folder” button.

load files 5503 Edit Casio Exilim QV R300 AVI Footage in Avid MC, FCP, Premiere

Step 2: Click the “Format” bar to get the drop-down menu and you can get “Avid Media Composer>>Avid DNxHD (*.mov)” as output format.

format Edit Casio Exilim QV R300 AVI Footage in Avid MC, FCP, Premiere

Tips:
For FCP, choose “Final Cut Pro>>Apple ProRes 422 (*.mov)”.
For Premiere, choose “Adobe Premiere/Sony Vegas>>MPEG-2 (*.mpg)”.

Step 3: The built-in editing function provided by Mac AVI HD Video Converter is something worth trying. To trim the video, add artistic effects, adjust audio, add watermark, customize video parameters and so on. You can get the work done splendidly. Of course, if you don’t think it’s a necessary to do, you can skip it and move onto the next step directly.

Step 4: Click “Convert” button to start converting Casio Exilim QV-R300 AVI footage to Avid DNxHD (*.mov) for Avid MC, Apple ProRes 422 (*.mov) for FCP and MPEG-2 (*.mpg) for Premiere according to your requirements.

Conclusion: OK, everything is ready, and you can instantly edit Casio Exilim QV-R300 camera captured AVI footage in Avid MC, FCP and Premiere. By the way, we have promoted money saving bundles & deals activity. It really saves a lot! Why not take a look and have a try about high quality products with attractive price?

Further Reading:

Canon EOS C100 is a new Cinema Camcorder who brings true cinema quality to independent event videographers and video production organizations. It is also the latest addition to the Cinema EOS family, bringing together the renowned technology of Canon CMOS sensors, DIGIC DV III Image Processor, and EF lens compatibility in a smaller, lighter body.

c100 mts to fcp Import Canon C100 MTS Files to FCP for Further Editing

The new entry level Cinema EOS camera records at 24Mbps using an AVCHD codec for easy integration in existing production workflows. Operability and customization make the EOS C100 an ideal camera for one-person operation while providing expanded professional capabilities such as HDMI output with embedded Time Code, support for external recorders, remote operation, and complete manual control over both video and audio recording.

However there is no perfect thing in the word. From Googling, I found users have some questions about the cam in forums. “I am using the Canon new camera C100. I tried to get the recorded MTS movies to Mac for editing with FCP7, but I got the incompatible information. Why?”

It is a pity that the EOS C100 does not support 720p recordings. It only captures 1920*1080 or 1440*1080 file at 60i. By default, the output video file is 1080 60i .mts. FCP’s supported file is MOV instead of MTS. If you try to restore the recordings to your FCP for editing, you’d better convert the AVCHD MTS files to ProRes MOV. As far as I know, the Log and Transfer can import and transcode 1080i MTS to Apple ProRes for editing with FCP, but the converted video quality is bad. Here I am glad to help you solve your doubts with Pavtube MTS/M2TS Converter for Mac.

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Below are quick steps for you to convert Canon C100 MTS to FCP supported ProRes.

Step 1: Click the “Add Video” button or “Add from folder” icon on the main interface to import C100 MTS files after downloading and installing this Mac MTS/M2TS Converter. Drag and drop files are also available. When the files are loaded to the program, you can view them from the Preview window. Simply select an item and click the “Play” button. When the video is playing, you may take snapshoot when it plays to your favorable frame by clicking the “Snapshoot” button.

import files 550 Import Canon C100 MTS Files to FCP for Further Editing

Step 2: Click format column and choose best video format for FCP. Just click and choose “Final Cut Pro>>Apple ProRes 422 (*.mov)” as output format for this profile and it is native format for FCP. If you have the requirement to edit videos in other programs, you can choose according to your need.

choose format to fcp 550 Import Canon C100 MTS Files to FCP for Further Editing

Tips: Apple ProRes 422 (*.mov) and Apple ProRes 422 (HQ) (*.mov) have higher qualities. Apple ProRes 422 (LT) (*.mov) and Apple ProRes 422 (Proxy) (*.mov) have smaller size. You can choose according to your requirement.

Step 3: To set the profile settings, please click the “Settings” button. General speaking, the default settings are just fine. Click the “Browse” button to browse and specify a destination folder to save the converted files.

Step 4: When everything is ready, click “Convert” to start converting MTS to ProRes 422. This Mac MTS/M2TS Converter supports batch conversion so you may load multiple files and convert them at one time.

Conclusion: As MTS to Apple ProRes 422 Mac video converter, it enables you to trim out unwanted part, crop out black bars, change aspect ratio from 4:3 to 16:9 and vice versa, rotate 90 degrees clockwise, anti-clockwise, add plug-in subtitles, apply special effect, and more. If you want to merge several clips into a whole one, “Merge into one file” can help you to realize it. Try it for free now!

Further Reading:

You may find Premiere Pro CC/After Effects CC won’t import XAVC S files from Sony Alpha a7II smoothly. The easy workaround is to encode/decode Sony a7II XAVC S to Premiere Pro CC/After Effects CC more “edit” friendly codec- MPEG-2. Here is how.

xvac s to ppro ae Sony Alpha a7II Workflow with Premiere Pro CC/After Effects CC

The Sony Alpha A7 II is the sequel to a camera series that bowled us over last year. Now it has come to us. In addition to highly detailed stills with smooth gradations, the a7II now has access to the high-bit-rate XAVC S format with 60p, 30p, and 24p recording options, all at 50 Mbps. If you’ve got some XAVC S material from Alpha A7 II, you will research possible workflows, so as to as have smooth work with the Sony a7II XAVC S in PPro CC/AE CC.

Why is a7II so popular among photographers? Though more and more HD cameras have been released by Sony, a7II has the stable shooting ability and the high definition output footage XAVC S. But the only disadvantage is as follows: “As a teacher who teaches video production in the studying courses, I’m trying to use my Sony A7II camera to shoot some recordings of my students and pick them out to show in the Students’ ‘Film Festival’, I need to edit the output videos in Premiere Pro CC on Mac. However, it seemed that XAVC S files are not so compatible with this program, right? How about editing in After Effects CC?”
Tips: Adobe Premiere Pro supported formats

While enjoying the stunning videos recorded of HD image quality, many users are having problems when trying to edit Alpha a7II XAVC S in some popular NLEs. What we need here is a XAVC S Video Converter! Easy operations to do with XAVC S files and make them accepted by common editing programs and media players with a high quality preserved. Here, you can depend on Pavtube HD Video Converter for Mac. If you are Windows users, you can refer to Pavtube HD Video Converter.

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How to edit Sony a7II XAVC S in Premiere Pro CC/After Effects CC?

Step 1: Backup your XAVC S videos from a7II to hard drive. Install and launch XAVC S HD Video Converter for Mac. Drag and drop XAVC S files to the software. You can import multiple files at once thanks to “Add from folder” button.

load files550 Sony Alpha a7II Workflow with Premiere Pro CC/After Effects CC

Step 2: Click the drop-down list in the format line to get the format box. Then choose “Adobe Premiere/Sony Vegas>>MPEG-2 (*.mpg)” as output format for editing in Premiere Pro CC/After Effects CC.
Tips: WMV (VC-1) (*.wmv) and MOV (AVC) (*.mov) are both supported. Generally, MPEG-2 is a well-accepted file format for its ability to keep up the video quality and its popularity.

format to adobe and vegas550 Sony Alpha a7II Workflow with Premiere Pro CC/After Effects CC

Step 3: Do some simple edit work.
De-interlace: By default the XAVC S HD Video Converter for Mac will apply de-interlacing facility to some clips that are interlaced. Just click “Edit” to enter the video editor, switch to “Effect” tab, and check the “Deinterlacing” box.

Trim: Basically, video hosting sites restrict video clips to be in certain file size and length. For example, YouTube stated that “videos can be up to 2GB in size and 10 minutes long”. You can trim the video to desired length with this HD Video Converter for Mac. Simply click “Edit” menu>>”Trim” tab and set start and end time point.

Merge: To join multiple videos together, just select them in file list, and tick off the checkbox “Merge into one file” on the main interface.

Step 4: You can preview to check the final result. Once you are satisfied with it, click the “Convert” button to start converting XAVC S videos to MPEG-2 .mpg format. It will take you a little while.

Conclusion: After conversion, you’ll get no troubles in editing a7II XAVC S videos in Premiere Pro CC/After Effects CC. Follow the steps and have a try!

Further Reading:

Are you planning to buy a new Canon T6i/T6s camera? Are you wondering if the Canon T6i/T6s recorded footage can be opened in FCP? No worry, in this thread, we are going to talk about how to make it possible to let FCP recognize Canon T6i/T6s MP4 video files smoothly.

mp4 to fcp How to Convert Canon T6i/T6s MP4 Files to ProRes 422 for FCP?

I am wondering if anyone has any experience working Canon T6i/T6s footage in Final Cut Pro. Can we easily load video clips from Canon T6i/T6s to FCP? Searching for a while, I got some clues. If you are also planning to edit MP4 files from Canon T6i/T6s in Final Cut Pro X/7/6, just read on and find something useful.

From Canon official website, we know Canon T6i/T6s records and saves videos as a MP4 file in MPEG-4 AVC / H.264 codec. The problem is that H.264 codec is not supported well by FCP, so directly importing and editing Canon T6i/T6s MP4 files in FCP will never happen. It’s better to convert Canon T6i/T6s MP4 videos to ProRes MOV which is the best format supported by FCP, and then import to FCP for smooth editing.
Tips: FCP supported video formats

To avoid the frustrated issues, third-party software is required. Here, we simply need Pavtube HD Video Converter for Mac to get this done. This Mac HD Video Converter also works great as a Canon MP4 Video Converter for Mac. It is a converter program designed for converting HD media, including camera and camcorder videos files to whatever format you need with best video and audio synchronization. It supports camera brands including Canon, Sony, JVC, Nikon, Panasonic, Fujifilm, Pentax, Red, Blackmagic, Sanyo and so on. With this little tool, you are able to create editable files for NLEs like FCP X/7/6, iMovie, Final Cut ExpressAvid MCDaVinci Resolve, Premiere Pro, Sony Vegas, etc. and export playable files for iOS devices, Android devices, HD Media Players, Game consoles and more.

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Tutorial on converting Canon T6i/T6s MP4 files to ProRes 422 for FCP:

Step 1: Launch the HD Video Converter on your Mac, and then click the “Add video” button to import your MP4 files from Canon T6i/T6s directly. In order to import several files at one time, you can click “Add from folder” button.

load files 5502 How to Convert Canon T6i/T6s MP4 Files to ProRes 422 for FCP?

Step 2: Click the “Format” bar to get the drop-down menu and you can get “Final Cut Pro>>Apple ProRes codec”, including ProRes 422, ProRes 422 (HQ), ProRes 422 (LT), ProRes 422 (Proxy) and ProRes 4444. Choose the proper one you want. Here, we suggest you to choose Apple ProRes 422 .mov as the best output format.

choose format to apple prores 5501 How to Convert Canon T6i/T6s MP4 Files to ProRes 422 for FCP?

Step 3: Press the “Settings” icon and you’d better set the video frame rate as 30fps, video size as 1920*1080 for editing Canon T6i/T6s MP4 in FCP easily.

settings 5501 How to Convert Canon T6i/T6s MP4 Files to ProRes 422 for FCP?

Step 4: Now, click “Convert” and let it go. The MP4 HD Video Converter for Mac supports batch conversion. So if you have lots of MP4 videos to convert, check “Shut down computer after conversion” and you can go away without keeping an eye on it.

Conclusion: Once the conversion process shows in 100%, click “Open” to get the output videos. Create a project and start Canon T6i/T6s editing MP4 files in Final Cut Pro with light speed.

Further Reading:

Panasonic HVX200A is a hot camcorder for the professional HDTV photographers. Have you got one? As many users get HVX200A, more problems are coming up: some of them have the need to import Panasonic HVX200A P2 MXF to Premiere Pro for editing, but they always meet the importing issues.

mxf to premiere  How to Edit Panasonic HVX200A MXF Files in Premiere Pro?

Many MXF to Adobe Premiere Pro issues still exist there and troubled the users. “Hi, I just got a Panasonic HVX200A and I am learning how to edit files and make movies using Premiere Pro. I see some tutorials that recommend converting the .mxf files to MPEG-2. What apps should I get?”

“One of our clients has provided us around 50 MXF files from his HVX200A and we are new to MXF format files. We tried opening it on our VLC player, but the files don’t play. When we import it to Premiere Pro, I get a message that reads ‘Codec not supported’, why?”

In fact, (P2) MXF, a highly compressed format, is not easy for editing in NLEs. Then how to import Panasonic HVX200A MXF videos to Premiere Pro without any issue? Well, if you make the recordings editable before taking to the program, the incompatible error won’t happen anymore.
Tips: Adobe Premiere Pro supported formats

Here you can download and apply Pavtube MXF Converter for Mac to achieve the goal in a fast way. This Panasonic P2 MXF Converter for Mac is the solid tool to help users make the MXF converting on Mac OS X (Mountain Lion, Mavericks included). It offers the optimal preset profiles for Final Cut Pro 6/7 and FCP X, iMovie, Avid Media Composer, Adobe Premiere Pro, FCE and more. And there is no need to worry about the quality loss.

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How to edit Panasonic HVX200A MXF files in Premiere Pro?

Step 1: Install and launch HVX200A MXF Mac Converter, and then click “Add video” button to load HVX200A MXF files or directly drag the footage to the program.

import files550 How to Edit Panasonic HVX200A MXF Files in Premiere Pro?

Step 2: Choose output format. This video converter offers optimized format preset for Adobe Premiere. Just click “Format” menu firstly and then follow “Adobe Premiere/Sony Vegas” to set MPEG-2 (*.mpg) format.

format to premiere pro 550 How to Edit Panasonic HVX200A MXF Files in Premiere Pro?

Step 3: If the default settings do not fit you requirement, you can click “Settings” icon to and enter “Profile Settings” panel to adjust video size, bit rate, frame rate, sample rate and audio channels.

settings for output format How to Edit Panasonic HVX200A MXF Files in Premiere Pro?

Step 4: Finally hit the “Convert” button; the best Mac MXF Converter will convert Panasonic HVX200A MXF files to MPEG-2 .mpg for Adobe Premiere Pro immediately.

Conclusion: When the conversion process shows in 100%, you can get the generated videos from output folder easily for easier editing in Premier Pro.

Further Reading:

Take a closer look on Sony FDR-AXP33, you will see it approximately 30% smaller and 20% lighter than current 4K camcorder. But with such gorgeous 4K camera, how to deal with the raw XAVC S videos?

xavc s to fcp x550 Make FCP X Work with Sony FDR AXP33 XAVC S Files

Looking through the Apple forum, someone asked for help on Sony FDR-AXP33 field. “I purchased the Sony FDR-AXP33 camcorder. If anyone has had any experience editing its original XAVC S files in Final Cut Pro X, I would be pleased to learn of their experience and the specs of the computer they are using. I am hopeful that editing XAVC S footage on the new Mac Pro will be possible without the large file size produced by converting.”

Sony FDR-AXP33 is XAVC S codec MP4 format. Final Cut Pro X supports MP4 video importing, but the XAVC S video codec is a new one. I don’t think FCP X support Sony XAVC S MP4 very well. With this efficient XAVC S codec for sparkling 4K footage, it will make the store so convenient. Quality-conscious videographers can record at the extra-high bit rate of 100Mbps. 4K footage looks clearer and sharper. So after editing in FCP X, it would be wonderful to enjoy the XAVC S recordings there.
More resources: FCP supported video formats

FCP X is powerful editing software that almost can handle all the videos on Mac platform. If you want to edit Sony FDR-AXP33 XAVC S files in FCP X, it may stop you from moving forward. Here, Pavtube HD Video Converter for Mac is highly recommended. It won’t be a headache problem for you anymore. Some simple clicks, then you can turn your XAVC S videos into FCP X best supported format, which will maintain the top quality of the videos.
Tips: Money saving bundles & deals are provided for you.

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How to edit Sony FDR-AXP33 XAVC S files in FCP X?

Step 1: Install and launch Sony XAVC S Converter, and then click “Add video” button to load FDR-AXP33 XAVC S files or directly drag the footage to the program.

load files 5501 Make FCP X Work with Sony FDR AXP33 XAVC S Files

Step 2: Choose output format. This video converter offers optimized format preset for Final Cut Pro X. Just click “Format” menu firstly and then follow “Final Cut Pro” to set Apple ProRes 422 (*.mov) format.

choose format to apple prores 550 Make FCP X Work with Sony FDR AXP33 XAVC S Files

Tips: Apple ProRes 422 (*.mov) and Apple ProRes 422 (HQ) (*.mov) have higher qualities. Apple ProRes 422 (LT) (*.mov) and Apple ProRes 422 (Proxy) (*.mov) have smaller size. You can choose according to your requirement.

Step 3: If the default settings do not fit you requirement, you can click “Settings” icon to and enter “Profile Settings” panel to adjust video size, bit rate, frame rate, sample rate and audio channels.

settings 550 Make FCP X Work with Sony FDR AXP33 XAVC S Files

Step 4: Finally hit the “Convert” button; the best XAVC S converter will convert Sony FDR-AXP33 XAVC S files to Apple proRes 422 .mov for FCP X immediately.

Conclusion: When the conversion process shows in 100%, you can get the generated videos from output folder easily for easier editing in FCP X.

Further Reading:

To edit Canon G7 X MP4 in iMovie on Mac Yosemite, you’d better convert G7 X MP4 to iMovie best supported format first. For it’s a painful experience while importing G7 X MP4 to iMovie, this article will discuss MP4 and iMovie importing issues and offering an effective solution. Or editing G7 X files in other NLEs? Just follow the guide below.

mp4 to imovie 550 iMovie Won’t Import Canon PowerShot G7 X MP4 Files

Some people experience no problem editing Canon G7 X MP4 in iMovie, while others are not so fortunate. Following is a question I found in the MP4 to iMovie forum: “Hi, I got a lot of G7 X MP4 videos from my friend and he asked me to edit those Canon G7 X MP4 videos for him. However, I was failed on the very first step. I even could not import G7 X MP4 files into iMovie. What’s the problem? Thank you for any tip!”

Why sometimes can’t import G7 X MP4 to iMovie? There are two reasons. First, iMovie only supports importing MP4 formats with MPEG4/AAC or H.264/AAC data, not all kinds of MP4 formats. Some MP4 files from like Sony, Hybrid camcorders and other devices cannot be accepted by iMovie. Second, iMovie contains all the essential codecs to read MP4 files. Any different codecs included in audio and subtitle will cause the issue. In the circumstances, we still cannot successfully import MP4 files to iMovie.
More resources: Best Video Format Supported by iMovie and FCE for Editing

All in all, to smoothly import G7 X MP4 to iMovie, you’d better to convert G7 X MP4 to iMovie totally compatible format. Here, I highly recommend Pavtube HD Video Converter for Mac to successfully convert G7 X MP4 to iMovie for further editing. By running it, there’s no need to set the codec by yourself; the Mac program has an optimized preset for iMovie (iMovie 11 included).
Tips: Good news! Money saving bundles & deals.

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Step by step guide to convert G7 X MP4 to iMovie:

Step 1: Drag Canon G7 X MP4 clips to the program directly. Or click “Add video” button to locate G7 X MP4 files you want to add.

load files 550 iMovie Won’t Import Canon PowerShot G7 X MP4 Files

Step 2: You can choose “iMovie and Final Cut Express>>Apple InterMediate Codec (AIC) (*.mov)” as the output format. The output format is designed for iMovie 11/09/08 specially.

format to imovie fce 550 iMovie Won’t Import Canon PowerShot G7 X MP4 Files

Tips: You are provided to adjust parameters including audio& video bitrate, frame rate, channel, codec and ect. in “Settings” profile before conversion.

Step 3: Tap “Convert” button to start Canon PowerShot G7 X MP4 to iMovie AIC MOV conversion on Mac Yosemite.

Conclusion: Once the conversion completes, you can get the generated videos via “Open” panel. After that, launch iMovie, choose “File>>Import>>Movies…” to import the converted G7 X MP4 video to iMovie. Now, it’s time for you to start editing journey.

Further Reading:

It’s a pretty good idea if you are enjoying the 4K recordings with your Samsung NX1 camera! Due to this kind of 4K camera has shot the footage encoded by H.265 codec, which is the newest codec standard that not be fully spread in this video codec area. So playing your NX1 H.265 recordings in VLC must trouble you a lot, right?

nx1 550 Why Doesnt VLC Decode NX 4K H.265 Video from Samsung?

Higher quality smaller size, that’s the biggest highlight brought by the new video codec H.265/HEVC. It represents a whole new reference scale for video. While as someone there said “I shot some H.265 gathering videos by Samsung NX1 4K camcorder and now I want to enjoy them on VLC player on Windows 8.1 with my family. However, unsupported error happened there. How can I deal with it?”

Though H.265 uses much less space and offers higher compression quality than H.264, the only problem is that H.265 is still not supported well. Most NLEs like Adobe Premiere Pro, Windows Movie Maker, Sony Vegas can’t ingest H.265 as a native format; most video players apps including Windows Media Player, VLC can’t read and play H.265 codec perfectly. To play Samsung NX1 H.265 videos on VLC easily, a H.265 Converter for Samsung NX1 seems necessary.

Read some other users’ feedback online, Pavtube Video Converter is the highly recommended as the best H.265 Video Converter for Samsung NX1 footage or other H.265 video source. It’s one of the firsts to provide an H.265 encoder/decoder for Windows and it ranks top on the H.265 converter application list. With this all-in-one H.265 encoder, decoder, converter and player, you can convert H.265 to H.264 MP4, MOV, WMV, AVI, FLV and etc. with several mouse clicks. Besides, optimal presets for NLEs are provided to help you have smooth H.265 video editing workflow.

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How to play Samsung NX1 H.265 videos on VLC?

Step 1: Download and install the program from the website or click the free trial icon. Then, launch the best H.265 video converter and load your original H.265 recordings in with “Add video” or “Add from folder”. Directly drag files in is available.

load files Why Doesnt VLC Decode NX 4K H.265 Video from Samsung?

Step 2: Choose the right output format for VLC. As we mentioned above, we would like to introduce you to select the “HD Video>>H.264 HD Video (*.mp4)” as your best choice. Surely you can choose other suitable ones as you like.

format to hd Why Doesnt VLC Decode NX 4K H.265 Video from Samsung?

Step 3: The built-in editing function provided by Video Converter is something worth trying. To trim the video, add artistic effects, adjust audio, add watermark, customize video parameters and so on. You can get the work done splendidly. Of course, if you don’t think it’s a necessary to do, you can skip it and move onto the next step directly.

edit 550 Why Doesnt VLC Decode NX 4K H.265 Video from Samsung?

Tips: You can also go to the “Settings” to set the parameters for your videos.

Step 4: Click the “Convert” button on the main interface if you have done all the preparation work. This is the workflow that we need to transcode H.265 to H.264, which could make the original Samsung NX1 H.265 files accepted by VLC.

Conclusion: OK, everything is ready, and you can instantly play your Samsung NX1 camcorder captured H.265 files on VLC. By the way, we have promoted money saving bundles & deals activity. It really saves a lot! Why not take a look and have a try about high quality products with attractive price?

Further Reading:

  • How to Watch 1080p/720p Videos on Android Devices?: Nowadays, along with the popularity of Android operation system, more and more mobile devices have chosen Android such as the Samsung tablets or phones. Have you ever met the issues of watching 1080p/720p movies on Android devices?
  • Advantage in Using H.265 in iPhone 6: iPhone6 once become a hot topic in2014, not only because of its larger screen and more powerful functions. The new iPhone 6 and Plus can encoding H.265/HEVC codec to playback on it, which means this new codec is compatible on new iPhone. Users now with this new iPhone can have a more high-definition video quality to enjoy.
  • Transfer Music, Photo, Video files to Nokia Lumia 2520: The Lumia 2520 is Nokia’s first Windows tablet running Windows RT 8.1, which wins lots of attention all around the world. Are you eager to move your media including songs, pictures, videos and documents from computer to this excellent Windows tablet for viewing?

Panasonic Lumix DMC-GF7 is a hot camera on the market. So you may wonder how to edit its AVCHD MTS files in Avid Media Composer 6.5/6 for better visual effect. This guide aims to tell you the details of best codec converting and format compatibility.

Panasonic Lumix GF7 550 Best Codec for Avid MC 6.5/6 Edit with Panasonic GF7 AVCHD

The Panasonic Lumix DMC-GF7 is the latest entry level mirrorless camera from Panasonic, and along with a redesigned body, features a 16 megapixel sensor, 3 inch tilting touch screen and built in Wi-Fi. It’s available with the new compact 12-32mm f/3.5-5.6 lens with Mega optical image stabilization, and updates the GF6 which will stay on the market.
Tips: Know more about Workflow Guides for Panasonic Camera Footage.

Since Panasonic Lumix DMC-GF7 is so popular, edit its AVCHD MTS video files in Avid Media Composer 6.5/6 for better visual effect seems not a bad idea! Media Composer is the top choice for professional film and video editing in the industry. Whether you edit movies, TV shows, commercials, or other video, this industry-standard nonlinear editor provides 64-bit performance, easy-to-use video editing tools, and streamlined HD, file-based, and stereo 3D workflows.

If you have a Panasonic Lumix DMC-GF7 camera, you may want to edit its AVCHD files in Avid MC, now the latest AMC is version 6.5, though it added many new features, but it can’t support GF7 AVCHD footages well, you will encounter importing and editing problems.

In order to edit your Panasonic Lumix DMC-GF7 AVCHD in Avid MC 6.5/6 natively, you should convert AVCHD format to DNxHD codec which is the best natively supported by AMC. Pavtube MTS/M2TS Converter for Mac is highly recommended for this software can deal nearly all kinds of AVCHD videos. It can convert Panasonic Lumix DMC-GF7 AVCHD files for editing in Avid Media Composer 6.5/6 that is to convert AVCHD video to DNxHD MOV format. Just take a look at the brief guide below.
Tips: Pavtube MTS/M2TS Converter is Windows version. Please choose corresponding version according to your requirement.

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Step by step on converting Panasonic Lumix DMC-GF7 AVCHD to Avid Media Composer 6.5/6 supported DNxHD MOV:

Step 1: Download and install Mac Panasonic Lumix AVCHD Converter, when its main interface pops up, click “Add video” or “Add from folder” to input your source media. Drag and drop to Mac Panasonic Lumix AVCHD Converter is also a convenient way.

import files 550 Best Codec for Avid MC 6.5/6 Edit with Panasonic GF7 AVCHD

Step 2: Click “Format” list to determine output format. For natively editing in Avid Media Composer 6.5/6, you are recommended to choose “Avid Media Composer>>Avid DNxHD (*.mov)”, this format is best for Avid Media Composer native editing.

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Tips:
If you want to combine several Panasonic Lumix DMC-GF7 AVCHD clips into one, please tick the box “Merge into one file” under the preview window.
This Mac Panasonic Lumix AVCHD Converter also includes the editing function to let you trim, crop, edit audio, add watermark and subtitles and etc. before conversion.

Step 3: Adjust video and audio parameters as you need in the “Settings”. You can adjust codec, bit rate, frame rate, audio channel and so on there. Why not take a look and have a try?

settings for output format 550 Best Codec for Avid MC 6.5/6 Edit with Panasonic GF7 AVCHD

Step 4: When ready, click “Convert” button to start format conversion. As soon as the conversion is complete, you can click “Open” to get the exported DNxHD MOV files for use in Avid Media Composer 6.5/6 with optimum performance.
More resources:

Import media to Avid-Managing your videos, projects, and media onto Avid Media Composer on Mac.

Free AVCHD MTS/M2TS Converter for Mac Review, Download and Guide

Conclusion: Money saving and bundles deals may be the big surprise for you especially a lot of bundle deals with MTS/M2TS Converter for Mac! Seize the opportunity and experience our wonderful converter products!

Further Reading:

Apple ProRes is an intermediate codec able to maintain higher quality than end-user codecs and still require much less expensive disk systems compared with uncompressed video and uncompressed videos require much more storage space and higher bandwidth. If you want convert ProRes 422 to DNxHD codec, how to do?

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When will you convert ProRes 422 to DNxHD codec? Why do you do the conversion? How can you make it a success? Here is a case. For one of our customers has said that he wanted one application which can output high quality of the converted files and this feature is the most important one he needed. He is a film editor and produces films for German TV station that they only allow 1080 50i to be broadcasted. The users use Blackmagic URSA to produce 4K ProRes films, now that, he used the DNxHD codecs on Avid Media Composer to post productions.

According to his need and workflow, we can tell what he needs most is one application which can keep the sharp quality of the original files while accepts this ProRes codec and output DNxHD codec. Is any software which can transcode ProRes 422 to DNxHD MOV while keeping quality at the same time?

Here Pavtube Video Converter for Mac will be the ultimate choice for these needs. ProRes codec without any questions is accepted while the output quality is high that you cannot even tell the differences between the original and the converted one. Bunch of output settings are for you to choose, including DNxHD codec.
Tips: For Windows users, Pavtube Video Converter is also available.

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How to convert Blackmagic URSA 4K 1080 50p ProRes 422 to DNxHD codec in 1080 50i for TV station use on Mac Yosemite?
Tips: Conversion steps on Windows 8.1/8, please click here to know the detail.

Step 1: Open up the best Blackmagic URSA Mac Video Converter. Click “Add video” button to browse and load your 4K 1080 50p ProRes 422 files. If you need to import an entire file folder directly, simply click “Add from folder” tab. Drag and drop to load files is also allowed.

load files Convert Blackmagic URSA 4K 1080 50p ProRes 422 to DNxHD Codecs in 1080 50i for TV Station Use

Step 2: For a second step, to find the DNxHD MOV for Avid MC, drop down the output list, “Avid Media Composer>>Avid DNxHD (*.mov)” is waiting there, or surely you can search it in the “searching box”.

Avid MOV 550 Convert Blackmagic URSA 4K 1080 50p ProRes 422 to DNxHD Codecs in 1080 50i for TV Station Use

Step 3: Why not take around the “Settings” button on the main interface? Here, we can adjust our video size, (just according to personal requirements), bitrates or frame rate, remember that you should set them in appropriate default or you might not get an ideal effect.

settings Avid 550 Convert Blackmagic URSA 4K 1080 50p ProRes 422 to DNxHD Codecs in 1080 50i for TV Station Use

Step 4: After all have been settled, back to the main interface and click “Convert” button to start conversion. After the conversion, you can back to the main interface and click “Open” to find your converted files. If you forget to set the file location, you can also click “Open output folder” in the conversion user interface to find them in the default location.

Conclusion: Is that cool? If you want to merge your several files into one, you just need to tick off files which you want to combine them into one, and then click “Merge into one file” under the preview window. Have a try! And you’ll find more thoughtful and useful designs and features like simple edit work.

Further Reading:

  • How to Get Closed to H.265/HEVC on iPhone 6?: iPhone6 once become a hot topic in2014 , not only because of its larger screen and more powerful functions. The new iPhone 6 and Plus can encoding H.265/HEVC codec to playback on it , which means this new codec is compatible on new iPhone. Users now with this new iPhone can have a more high-definition video quality to enjoy.
  • Workflow: Samsung NX1 4K H.265 to Sony Movie Studio 13: It’s not a bad idea if you are enjoying the 4K recordings with your Samsung NX1 camera! Cause this kind of 4K camera has shot the footage encoded by H.265 codec, which is the newest codec standard that not be fully spread in this video codec area. So editing your 4K H.265 recordings to Sony Movie Studio 13 must trouble you a lot, right?
  • Importing AVCHD .mts Files from Panasonic Lumix TZ40 ZS30 to Premiere Pro CC for Editing Comes True!: Have you got the Adobe Premiere Pro CC for usual editing video files of AVCHD .mts from Panasonic Lumix TZ40/ZS30? Some problems are inevitable to occur when using it. Let’s look at the following examples.